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ONLY SON
THE DROP TO THE TOP
It’s a bit of a mystery to think a guy like Jack Dishel
could remain so unassuming considering his auspicious past. Dishel,
a former internationally-known underground graffiti artist and
one time guitarist for anti-folk heroes The Moldy Peaches, will
release his debut solo album, THE DROP TO THE TOP, on
Cassette Recordings this fall. Going under the moniker Only Son,
he sings along to a backing band courtesy of an iPod and has inspired
the BBC to proclaim him a “future headliner without a doubt”. Beginning
January 2007, he’ll be touring Europe and North America with
Regina Spektor.
Jack wasn’t always Jack. At the age of three, Dishel moved
to the United States from Russia with the name Yevgeny - Yevgeny
Leonidovich Dishel to be exact. Family legend has it that he screamed
so much as a child that they began calling him Jack The Ripper; the
name stuck and Yevgeny became Jack. This would be the first
of many transformations for him. Around the age of 12, Dishel
would become absolutely enamored with heavy metal after seeing
Motley Crue’s video for “Wildside” for the first
time. Wishing he could spin over a crowd while hitting the skins
like Tommy Lee, Dishel bought a ramshackle drum kit, some black
concert T-shirts, and rocked a mullet in order to please both his
parents and his inner desire to head bang with the best of the
long-haired metal gods.
A few years later, a song called “Fuck The Police” would
play over and over on his friend’s stereo, forever changing
Dishel. As quickly as Yevgeny became Jack the Metal Head, Jack
became an anonymous phantom of the subway tracks, tagging a trail
wherever he went. “All of a sudden my pants were sagging
and my hair was buzzed - all I did was listen to hip-hop, play
handball, and most importantly, write graffiti”, says Dishel. He
put music on the back burner entirely and spent the next few years
running around along elevated train tracks painting walls, tunnels
and subway cars. By the end of his teens he’d become
an underground celebrity, and had his work featured in multiple
graffiti magazines and videos. With numerous escapes from
the police and hundreds of pieces all over the city, Dishel felt
satisfied and called it a day. To date he still keeps his
alter ego closely guarded.
During his college days at SUNY Purchase, Dishel rediscovered
music. Introduced to artists like Elliott Smith, Built To Spill
and Blonde Redhead, Dishel took up guitar and spent hours upon
hours soaking in new sounds. “There were all these different
kinds of people that I’d never come in contact with before. They
were thinkers. Outsiders. It was a huge relief from
what I’d known.”
After graduating with both a college degree and a few lessons
on life, Dishel moved to New York City and began fronting a band
named Stipplicon. Their wildly energetic shows won them a
fan-base that included many Lower East Side musicians, among them
Adam Green and Kimya Dawson, who would soon ask Jack to play guitar
for their band, The Moldy Peaches. The once phantom graffiti
artist soon found himself conspicuously dressed up in costumes,
playing guitar in front of thousands of people. Dishel went from
small clubs in alphabet city to playing arenas throughout Europe,
opening for bands like The Strokes and the Yeah Yeah Yeahs. In
2002 The Moldy Peaches went on an indefinite hiatus, leaving Jack
to make yet another transformation into his current incarnation,
Only Son.
After taking a much-needed break, Dishel began working on a batch
of new songs that were more delicate and melodic than the powerhouse
anthems of his previous band Stipplicon. The end result was THE
DROP TO THE TOP, an album full of imaginative melancholic lyrics
tempered with skipping drums and layered vocal harmonies. Produced
by Scott Hackwith (The Ramones, Dig) and Justin Asher (Johnny Dowd,
Firewater), copies of the record began to circulate and soon Dishel
was asked to open for Regina Spektor on her sold out UK, European
and American tours. When he’s not on the East Coast playing
with his full five-piece band, Dishel plays alone with just a guitar
and backup in the form of an iPod. It’s in this setting
that his name, Only Son, truly makes sense. The spectacle
has prompted many to ask, “Who is that guy behind the mic?”
The answer, it seems, is more complex than one might think.
For more information, please contact:
| Steven Trachtenbroit |
Chris Vinyard |
| Big Hassle Media |
Big Hassle Media |
| 212.619.1360 ext. 111 |
212.619.1360 |
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