Augustana
Can’t Love, Can’t Hurt

Beginning before they were even “old enough to drink,” as frontman/songwriter Dan Layus puts it, the band Augustana has grown up tremendously over the past three years, touring relentlessly while supporting Epic debut All the Stars and Boulevards (which reached #1 on the Billboard Heatseekers chart) and hit single “Boston.” Inking a producer before they’d been seriously tested before an audience, and finding themselves in the recording studio tracking a major-label debut before the masses knew who they were, the band had to grow into the ambitious blueprint they’d set out for themselves, and grow they did.

The results of the time in the trenches are found on Can’t Love, Can’t Hurt, the band’s assured follow-up.

While the record is about the experience of becoming more seasoned as a band; Layus’ songwriting grew up as well, informed by becoming a husband and father, dealing with life’s attendant challenges. “It really affected us in a positive way,” observes the pianist and native Californian, who formed the band in Illinois with pal Jared Palomar (bass) before finding the missing pieces in L.A.— Justin South (drums) and John Vincent Fredricks (keyboards/vocals), the latter of whom Layus had known for years. Chris Sachtleben (guitar), a childhood friend of Palomar’s, moved from Nashville to join up.

The increased responsibility also had Layus getting more serious about his chosen profession. “I took voice lessons, we changed management and I did anything I could to get better and learn—and I’m still doing that,” he says. “I also worked a lot harder on my songwriting, and spent enough time to get it absolutely right.”

While most bands spend all their lives writing a debut record—then six months on a follow-up, Augustana actually did it backwards; arriving at the label with what everyone agreed was a solid single and a few other songs, but not much else. “We had six months to write our first record,” Layus recalls. “But then all of a sudden we were on the road for three years, with really nothing to do but write and demo. I was constantly writing songs and weeding stuff out.”

As a result, Can’t Love, Can’t Hurt is 10 studiously-chosen cuts of modern, melodic, piano-driven rock, informed by Layus’s love of classic pop/rock songwriters—from The Beatles to Tom Petty—and covering deeper subject matter than the band’s debut. “Still Ain’t Over You” is a love song in the context of a committed relationship, while “Dust,” with its a capella introduction, is the sound of Layus attempting to make peace with his religious upbringing.  “Meet You There Someday” was inspired by Layus’s young daughter and his frequent need to leave her behind in order to tour.

Augustana hit the road even before All the Stars and Boulevards was released, crisscrossing clubs with the Stereophonics before graduating to much larger venues. By the time the band was logging well-received stints opening for Snow Patrol, Dashboard Confessional and Counting Crows, “Boston” was in rotation on radio, the video was getting plays under VH1’s “You Oughta Know” banner, and the band knew it was onto something.

“I didn’t realize that this wasn’t always the way it happens, to come out with your first record and get a single on pop radio,” Layus recalls, laughing. “It was hard to get any real perspective on how incredibly lucky we were to be in that position.”

With “Boston” well on its way to being certified digital platinum by the RIAA, the band made appearances on The Late Show with David Letterman, The Ellen Degeneres Show and The Today Show among countless others.

The band chose producer Mike Flynn to usher Can’t Love, Can’t Hurt into the world. “I think he did an incredible job in terms of getting me outside my box and really exploring the potential of the songs,” Layus recalls. “Some of these songs I had been singing the same way at shows for over a year. Then comes this producer who says, ‘I think you should try it like this.’ I could feel it, physically, when I’d go home every night, like an uncomfortable stretching sensation. But I can’t look back and see that the songs would be even close to what they are right now if I hadn’t done the stuff that Mike and I had worked on.”

The result is an intensely emotional album, borne of the band’s growth, cohesion as a unit, and Layus’ newfound fatherhood. And thanks to Flynn’s spot-on production, the results are delivered winningly.

 “I’m so happy I actually got to say things the way I wanted to say them and how I wanted to say them,” Layus says. “We all feel really confident about it.”

*****

For Immediate Release                                                                     March 24, 2008

AUGUSTANA SET TO RELEASE NEW ALBUM,
CAN’T LOVE, CAN’T HURT, ON APRIL 29th

CONFIRMED NORTH AMERICAN HEADLINING TOUR

APRIL 30th PERFORMANCE CONFIRMED FOR
THE TONIGHT SHOW WITH JAY LENO

New York – NY Gearing up for the release of their sophomore album, CAN’T LOVE, CAN’T HURT, San Diego, CA based-quintet Augustana will embark on a 30-date headlining tour beginning May 7th in Seattle, WA. Set for an April 29th release on Epic Records, CAN’T LOVE, CAN’T HURTwas produced by Mike Flynn (The Fray) and follows up the band’s album, ALL THE STARS AND BOULEVARDS, which reached #1 on the Billboard Heatseekers chart and spawned the RIAA certified Digital Platinum single, “Boston” On April 30th, Augustana will perform their new single “Sweet and Low” on “The Tonight Show with Jay Leno.”

Augustana released “Sweet and Low” via an exclusive iTunes EP earlier this month. The EP, which debuted at #2 on the iTunes rock charts, features the songs “Hey Now” and “I Still Ain’t Over You” from the forthcoming album.

While ALL THE STARS AND BOULEVARDS brilliantly captured the loneliness and vulnerability of a touring rock band, CAN’T LOVE, CAN’T HURTillustrates the excitement of new love and ever-changing growth within a band. With its meticulously crafted coming-of-age songs, CAN’T LOVE, CAN’T HURTsolidifies Augustana as one of modern rock’s leading lights.

http://www.myspace.com/augustana
www.augustanamusic.com

Tour Dates (More To Be Announced Shortly):
May 7              The Showbox - Seattle, WA
May 9              Avalon Theater - Salt Lake City, UT
May 10            Gothic Theatre - Denver, CO
May 12            Fine Line Music Café - Minneapolis, MN
May 13            The Metro - Chicago, IL
May 14            St. Andrews Hall - Detroit, MI
May 15            House Of Blues - Cleveland, OH
May 16            The Mod Club Theatre - Toronto, ON
May 17            Les Saints - Montreal QC
May 19            Paradise Rock Club - Boston, MA
May 20            Maxwell’s - Hoboken, NJ
May 21            The Bowery Ballroom - New York, NY
May 22            9:30 Club - Washington, DC
May 23            The TLA at The Filmore - Philadelphia, PA
May 24            The NorVa - Norfolk, VA
May 25            The National - Richmond, VA
May 27            City Hall - Nashville, TN
May 28            The Variety - Atlanta, GA
May 29            The Social - Orlando, FL
May 30            The Culture Room - Fort Lauderdale, FL
June 2              House of Blues - New Orleans, LA
June 3              The Meridian - Houston, TX
June 4              Antones - Austin, TX
June 5              House of Blues - Dallas, TX
June 7              The Brickhouse Theater - Phoenix, AZ
June 9              Troubadour - Los Angeles, CA
June 10            Troubadour - Los Angeles, CA
June 11            Troubadour - Los Angeles, CA
June 12            House of Blues - San Diego, CA
June 14            The Filmore - San Francisco, CA
June 15            House of Blues - Anaheim, CA