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O'Death
Five guys, maybe three shirts between them, take to the stage.
There’s a banjo, a fiddle, a
drum set littered with gas cans, chains, and broken cymbals. Then
they all start howling,
stomping; it’s an anachronistic jug band party in a junkyard
with sing-along hooks and
weathered vocals from another time. Their fans, an ever-expanding
congregation, sing
along and follow the band with an almost religious fervor, and
as vocalist Greg Jamie’s
eyes roll back into his head there’s a sense that something
almost sinisterly spiritual has
overtaken everyone in the room. This is the world of O’Death.
Originally formed in 2003 while the members attended SUNY Purchase,
the band – with
Jamie on guitar and vocals, Gabe Darling on banjo, David Rogers-Berry
on drums, Jesse
Newman on bass, and Bob Pycior on fiddle – self-released
their first album in 2004.
They quickly took to the task of stirring up a wholly original
scene of NY musicians with
their reverently twisted take on Americana filtered through a wealth
of musical influences
as divergent as Bill Monroe, Prince, Dock Boggs, Neil Young, The
Microphones, and
The Misfits via a series of shows at the now defunct Apocalypse
Lounge.
As they gathered the songs for their second LP, Head Home, the
band perfected their
mesmerizing and riotous stage presence and took to turning their
share of heads across
the country, playing over 100 shows in 2006, and gracing the stage
alongside acts
including Battles, Dr. Dog, Art Brut, Langhorne Slim, The Big Sleep,
and Old Time
Relijun.
With the re-release of Head Home, the critically acclaimed NY act
has created a perfect
companion to their spellbinding live show. Part southern gothic
spiritual, part moonshine
fueled hoedown, these recordings, now presented with new remixes
done by the band and
Billy Pavone, are a timeless addition to the canon of weird old
America.
O’Death will be heading out this summer and fall to promote
the record in the US and
Europe (with City Slang handling the European release). It’s
an infectious sound coming
your way; unique and wonderfully raw, but with the ability to drop
the jaws of even the
most jaded music fanatic and leave them testifying to it’s
unique power.
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