|
CLOGS
Clogs are a mostly instrumental project led by Bryce Dessner and
Australia's Padma Newsome, both men familiar from their membership
in the acclaimed rock band, The National. But don't call Clogs
a side project. Their existence predates The National, and
Clogs have released three widely acclaimed albums -- a highly
melodic debut Thom's Night Out (2001), then the experimental
polyphonies of Lullaby For Sue (2003), and finally the minimalist
explorations of Stick Music (2004). When Clogs formed they were an oddball classical ensemble in indie
rock clothing. Today, however, they're at the forefront of a scene
including friends in groups The Books, Rachel's, and Bell Orchestre.
Clogs' fourth album, 'LANTERN' (2006) is their finest and most
varied effort to date. They augment their unique sonic palette
(acoustic guitar, strings, percussion, bassoon) with melodica,
piano, ukulele, and mandola. Guitarist Bryce Dessner goes electric.
Per usual, Newsome adds haunting vocals to one song, the title
track: "Light me a lantern/in your lighthouse, my keeper/me
a lantern" Consolidating and expanding on the sounds of their
first three records, it also sees Clogs writing the best melodies
of their career and incorporating more dub and rock influences.
(The National's Aaron Dessner contributes bass to "5/4.")
Clogs are Newsome (viola/violin/melodica/voice/piano), Bryce Dessner
(guitar/ukelele), Rachael Elliott (bassoon/melodica), and Thomas
Kozumplik (percussion). They met in the late-90s while studying
at the Yale School of Music. Newsome started his career as a concert
violinist in the Sydney Symphony Orchestra, before a six-year detour
took him to an ashram in the remote region of New South Wales.
He began composing in the 90s at the University of Adelaide, when
he was awarded a Fulbright scholarship that brought him to America.
Dessner is an established soloist, and veteran of groups including
Bang on a Can All-Stars, which has given him in contact with major
figures like Philip Glass and Terry Riley. Elliott is a proud Vermonter
and active freelance musician. Kozumplik is a master percussionist
familiar with most any style.
Clogs' "classical" music is the result of a peculiar
writing process more akin to a rock band or a jazz quartet. The
members come to rehearsals with basic ideas that the group riffs
on and develops in jam sessions and live performance. Newsome later
arranges these ideas into elegant and complex musical narratives
that meld and extend the ideas of minimalist, modernist, and romantic
composers, adding sounds and melodies drawn from the folk music
of India, the Jewish Diaspora, and everywhere else.
STICK MUSIC earned Clogs' a profile and 8.6 review in the influential
indie music site, Pitchfork as well as mainstream attention in
The New Yorker, Wire, Mojo, Salon, Time Out New York, and the New
York Times, where they were featured in an article headlined "This
is Chamber Music? Stretching a Genre to Its Furthest Reaches (and
Beyond)." In the last two years, Clogs have also earned accolades
from the classical music establishment. In 2003, the National Endowment
for the Arts and Chamber Music America awarded them the Special
Commissioning Award, supporting two years of touring and a new
piece by respected composer, Ingram Marshall. In 2004, Harvard
University's Fromm Music Foundation awarded Newsome his own commissioning
award and residency at the Walton Estate in Ischia, Italy. In 2005
they made their Symphony Space debut, and 2006 includes a UK tour
with The Books (supported by Arts Council England), and debuts
at The Kitchen and Merkin Hall.
|